MARCEL DETTMANN (Ostgut ton/MDR/Berghain/De) + Thomas Urv (Ploink) + Retro!
torsdag 15. mars 2012 kl. 23:00 på Jaeger
Marcel Dettmann er for mange i technoverden en gud. Han mixer som en gud. Han lager musikk som en gud. Han driver en gudomlig label som heter Marcel Dettmann Records. Men til hverdagen er han en helt vanlig mann som spiller på Berghain og slipper på Ostgut ton i Berlin. Sist han va i Oslo va det helt gudomligt bra! Herre Jesus va bra det va!! Det va så bra!!! Ja du hva kan vi si!!!! Satan va bra det va sist! Så bra va det for mange som jeg snakket med etterpå. (Jeg va jo der selv!) Det blir en aften med mye tøff techno! Sist han var i Norge så spilte han på PLOINK i Bergen og Oslo.
Thomas Urv fra Ploink er den glade Bergensen er med og varmer opp. En legende innom Norsk Techno.
Retro oppe i Stua med Dj Nuhhh & Coltsfoot spiller i Stua. Retro musikk….
Disko, Soul, Funk, Boogie, Panorama Garage
Info
Ruff, rugged and raw. Mentioning Marcel Dettmann as well as his feeling for and vision of electronic music, his way of dealing with it, is impossible without these attributes. Whether you take his DJ sets (Marcel has been made a resident DJ at the old Ostgut and also at Berghain from the very start), Dettmann’s productions for the self-conducted MDR label, his remixes for the likes of Fever Ray, Junior Boys, Modeselektor as well as Scuba, or if nothing else his debut long player for Ostgut Ton into account, all the various contrasts and distinctions that come with it are manifested in these qualities.
Techno as Marcel Dettmann defines it, is neither a movement without history nor wistful nostalgia. In the hands of the Berliner, the well-known game of hi-hats, bass lines and kick drums draws its tension and momentum from a historically grown tradition and the conscious decision to break the rules. Reformation and solid construction outplays the use of any gimmicks. Dettmann pours Detroit’s oil into European engines, puts British bass music under the control of Chicago’s very own Jack, cuts classics with abstract nuances and connects yesterday with tomorrow and today. In the unrelenting manner of a great DJ, he generates moods and connections that are age- and classless, but never irrelevant or tasteless. Marcel Dettmann links up the art of improvisation with careful preparation and finally gives techno some of its often painfully missed serious physical constitution back.